When I heard that the Village Vanguard is set to start their own livestream events I almost fell out of my chair with excitement!
First up is The Billy Hart Quartetfeaturing Mark Turner, Ethan Iverson, and Ben Street asour their first livestreamdirectly from the basement jazz club on Saturday, June 13th 2020 at 7 p.m. EDT and on Sunday, June 14th 2020 at 2 p.m. EDT.
From the Village Vanguard newsletter: “Since opening its doors in 1935, The Village Vanguard has been celebrating the city’s diverse music, culture, and community. February 22, 2020 marked 85 years The Village Vanguard has operated as the world’s oldest-running jazz club, and since we closed our doors on March 16th due to the global pandemic we’ve been working hard to bring the spirit and sounds of The Village Vanguard to you at home.”
These livestreams will air Saturday and Sundays, each show has an admission fee of $7 and will run approximately 75 minutes in length. Tickets are for sale in advance on their website.
I hope this continues long after the club is open and thriving again!
Some good news for jazz fans and drummers traveling through New Orleans this winter. Below is some info from the New Orleans Jazz Museum website.
The New Orleans Jazz Museum presents DRUMSVILLE!: EVOLUTION OF THE NEW ORLEANS BEAT
New Exhibition at the Jazz Museum Celebrating the Development of the Drum Set and Evolution of Drumming Traditions in New Orleans opened on November 8, 2018 and runs through March 15, 2019.
The New Orleans Jazz Museum will debuted a new exhibition, Drumsville!: Evolution of the New Orleans Beat on November 8, 2018. The exhibit will celebrate both the New Orleans Tricentennial and International Drum Month, along with the development of the drum kit in New Orleans and the ongoing evolution of rich local drumming traditions.
A couple days ago I posted the Max Roach interview. The next video I want to share is a one hour interview with Philly Joe Jones. It’s full of great stuff and like Max, he also plays some piano during the interview.
The video abruptly flips over to a Sphere concert with Charlie Rouse, Kenny Barron, Buster Williams and Ben Riley around the one hour six minute mark, cutting off the interview. There are audio clips of the interview here, which seem to extend beyond the length of the video, though I haven’t listened in full yet.
The first video I want to share is a one hour interview with Max Roach. It’s full of gold. He not only plays drums and piano, he also shares stories dating back to his days playing in parades as part of his church band.
I’m always surprised when I meet a jazz drummer who doesn’t know about this set of discs, so I decided it’s time to write a quick post about it.
I first heard about this set during an interview with Kenny Washington on the Drummer’s Resource Podcast (a fantastic interview worth checking out). Kenny mentioned that Engine Room is out of print, so I got obsessed with finding a copy. Luckily, it’s still pretty easy to find, though the price of used copies can vary a bit. I’ve purchased a couple of copies off of Amazon and I’ve seen them range from $30 to $200, though I paid about $50 for each of my copies.
The booklet included with the set is around 50 pages and includes wonderful liner notes by Joop Visser. This alone makes it worth finding a physical copy.
The eras represented:
Disc 1: New Orleans & Chicago styles Disc 2: Swing Disc 3: Big Band Disc 4: Modernism
It’s worth noting that there are two different versions of the packaging. The differences are trivial, but here’s a list if you’re curious:
The earlier 1999 set was thicker overall due to the use of plastic jewel cases
The latter 2005 release was thin and used cardboard sleeves
The UPC code is the same on both sets
The booklet is essentially the same in both sets, containing the same information and liner notes. One is a few pages longer than the other, but it’s just because there were added pages for record label promotion.
The 2005 set is listed as digitally re-mastered, though I’m unable to hear a difference between the two sets.