Huge thanks to Billy Drummond for sharing that Kenny Washington is returning to the radio with his own program!
His show will air for 2 hours every Monday 5-7pm (PST) / 8-10pm (EST) on Jazz 88.3 KSDS out of San Diego and will be streaming live.
Here are a few words from the man himself:
“After 20 years, I’m happy to announce that I’m back on the radio waves at KSDS Jazz 88.3, San Diego. The series is called Jazz Across America which airs M-F, 5 pm-7 PST/8 pm-10 EST with a different host each evening. I’ll be celebrating the great live music that has been recorded in the New York jazz clubs and ballrooms of the past 80 years.
I’ll also be dipping into the “maniac archives” from time to time playing rarities from my collection. Let me take care of your jazz listening needs on Mondays starting Feb. 14, 2022 from 5 pm-7pm (PST), 8 pm – 10 (EST). You can catch us on the web www.jazz88.org. Please be sure to tell your friends and enemies that The Maniac’s Back!!!!”
Since my original post in 2017 there has been a major update to the Philly Joe Jones solo book, so I decided that it’s time to make a new post and give some additional info.
The first thing you’ll notice is that the cover has been updated with a modern and full color design, but the real update is that there are 60 new pages! There are now over 380 pages of Philly Joe Jones drum solo transcriptions in the book.
The Philly Joe Jones Solo Book is well worth the $60 price tag. The solos were transcribed over the course of 10+ years by Joerg Eckel, a student of John Riley’s and a really nice guy!
Using the book
Each transcription includes suggested stickings and lists the album that each solo is on. It’s my understanding that Joerg worked with John Riley and Kenny Washington to figure out common stickings that Philly Joe used.
In 2020, the Memphis Drum Shop had John Riley in to show off his cymbal collection and while he was there he also talked about the Philly Joe Jones solo book by Joerg Eckel. John does a great job demonstrating some of the stickings used in the book and it will give you a good overview.
I typically learn the solos by ear and then use the transcriptions to check myself or get help with a sticking if I’m fumbling too much, but I usually try to get the sound of each phrase in my own hands instead of forcing something that might feel awkward for me.
The transcriptions are copies of handwritten music charts and might be harder to read for some people, but don’t let that be a dealbreaker. When I’m working on a solo, I’ll typically scan the page in so I can load it on my iPad and zoom in. I’ve sometimes made an enlarged & darker photocopy so I can make notes and mark up the pages.
Here’s a sample page from the book that Joerg gave me permission to share:
Two years ago I had the pleasure of being in New Orleans on King’s Day for the king cake kick-off and saw Herlin Riley live at Bywater Bakery‘s block party. It was an unforgettable experience.
This year they held the event virtually and it was great! I was so glad to get a taste of New Orleans all the way up at the north end of the Mississippi river.
Featured Performers included:
Leyla McCella, John Boutte, Charmane Neville, and a Super Group comprised of: Herlin Riley, Oscar Rosignolli, Corey Henry, Wendell Brunious, Wes “Warm Daddy” Anderson, Detroit Brooks, and Chris Severen.
The Memphis Drum Shop recently had John Riley in to show off his cymbal collection and while he was there he also talked about the great Philly Joe Jones solo book by Joerg Eckel. It’s always great to hear John play and he does a good job here demonstrating some of the stickings used in the book.
The new and updated version of the book is now officially available. Just to be clear, the black cover is the new version.